As an artist/researcher my work evolves around exploration of the artistic practice-as-research, forms of sensory, imaginative processes through creative practice.

 

This perspective uses creative practice as a mode of research, in understanding how the material, social, physical world encounters with our understanding of everyday processes, in posthuman and more than a human world.

I use diverse methodologies from poetry, movement, new media, embodied geography, drawing and performative practices, with the strong theoretical base in feminist new materialism, posthumanism and sensory ethnography. My creative practice is always in entanglement with the material world, nonhuman, with senses, transitions, and movement of things. This approach enables the exploration of a bodily possibilities and sensory approach to how we practice and form our everyday connections. The work is immediate, event and experience based.